My Happy Family (2017) Chemi Bednieri Ojakhi Hd Movie Download

March 07, 2022 Post a Comment

Cinema has always been expert at conveying truths that we tin't quite articulate in everyday life. Our feelings tend to exist less baffling when contextualized by our surrounding reality, which is quite ofttimes taken for granted. It'south not uncommon in Georgian society for generations of family members to live together in the aforementioned space, inhabiting their roles as parents and children long after they accept outgrown them. Whereas women have to prove themselves on a daily basis, men can get away with practically anything, salve for physical corruption or excessive drinking. Information technology is the adult female'southward duty, in a higher place all, to maintain the happiness of her family through her peaceful and self-sacrificing nature. No wonder Manana (Ia Shugliashvili), the 52-year-old heroine of Nana Ekvtimishvili and Simon Gross' "My Happy Family," cannot wait to escape.

Even earlier the flick'due south initial fade-in, Manana has been silently entertaining the notion of moving away. The first scene follows her on a tour of the apartment where she will somewhen move alone, much to the utter bewilderment of her family. Time and again, Manana is asked whether she had been struck by her married man, Soso (Merab Ninidze). Surely she must've been injure in order for such drastic measures to be taken. "I won't explain it to anyone," insists Manana, while assuring them that she was not a victim of violence. Perhaps she truly believes this to be the case, since the corruption she has suffered has been of a much more than insidious variety.

Though her disapproving loved ones insist that their actions are made out of love, they stem from a deep-seated demand for control. Manana is expected to suppress her own needs fifty-fifty while she's being celebrated on her birthday. Then determined is Soso to go along up the strained paradigm of his family'due south contentment that he invites numerous guests to her birthday party, despite the fact that his wife had explicitly asked for a quiet evening at home. As soon as crowds stream through the door, Manana snaps on the cheery façade of a dutiful host until they are no longer in view, allowing her face to collapse in exhaustion.

This endless nighttime turns out to be the final harbinger, though it's not until she returns to her solar day job as a teacher that she acquires the bravery to act on her desires. When she asks a 17-year-old student, Tatia (Lika Babluani), why she has missed so many classes, the immature woman informs her that she was divorcing her husband. It wasn't a result of abuse—they simply wanted dissimilar things—but Tatia cautions Manana that every bit soon as she makes up her listen about what she wants in life, she must commit to that decision. Otherwise, she volition forever remain a prisoner. Information technology's a sublime case of a student offering her teacher a much-needed lesson that never feels patronizing, and that is in part due to the inspired casting of Babluani.

She made her astonishing screen debut in Ekvtimishvili and Gross' commencement co-directorial effort, 2013's "In Bloom," a motion-picture show that serves as a plumbing fixtures companion piece to "My Happy Mother." Fix in 1992, a year after Georgia received its independence from the Soviet Wedlock, "In Bloom" centered on Eka (Babluani), a teenager distressed by the human being aggressively pursuing her close friend, Natia (Marian Bokeria). After he and his pals grab Natia confronting her will and drive off with her in a car, Eka hurls expletives at a crowd of indifferent witnesses until an old man socks her in the face. This leads to 1 of the most exhilarating sequences I've always seen, in which Eka—her face freshly hobbling and her move loosened by alcohol—performs a mesmerizing dance at Natia's wedding, affirming that she will remain a force of force in her friend'southward life regardless of her concerns.

"In Bloom" quickly grew to become one of my all-fourth dimension favorite films, and "My Happy Family unit" is every flake as enthralling and masterful an achievement. Both pictures were lensed by a cinematographer who previously worked with Romanaian auteur Cristian Mungiu on his similarly claustrophobic portraits of oppressive societal strictures. Similar Mungiu, Ekvtimishvili and Gross favor staging scenes in meticulously choreographed extended takes that fully immerse united states of america in the character's oft-cramped surroundings. Whereas DP Oleg Mutu ("iv Months, three Weeks and two Days") infused "In Bloom" with a sense of impending menace, Tudor Vladimir Panduru ("Graduation") accentuates the poignance of various moments in "My Happy Family" with his as accomplished cinematography.

Consider the scene where Manana enters a family unit's flat, posing as a gas meter reader. The shot begins over her shoulder equally her optics lock with the boy who answers the door, but simply gradually practise we realize the child's identity. Past the scene'south end, the framing has flipped, causing us to peer over the boys' shoulder at Manana, whose carefully modulated expression now speaks volumes. Most every scene is anchored past Shugliashvili's face, which unceasingly fills in the blanks intentionally left by Ekvtimishvili'southward deftly nuanced dialogue. After a wrenching revelation is casually thrust upon Manana at a class reunion, the photographic camera slowly pulls in toward Shugliashvili, as the implications of this newfound noesis swiftly debunk her lighthearted demeanor. When she reluctantly complies to her friends' request that she serenade them, Manana's pent-upwards grief spills forth in the guise of melodic poetry, bringing down the house not unlike Eka's dance.

One of the universal truths explored by "In Flower" and "My Happy Family" is the extent to which an all-also tight-knit family can stunt one's ain personal growth. When Manana is finally freed from her inattentive married man, grown children and judgmental parents, the calming emptiness of her new apartment is intoxicating. After moving tirelessly through the confines of Manana'due south familial entrapment, the camera is able to linger for several glorious beats on the heroine sitting side by side to her balustrade, eating a slice of cake as Mozart'due south infamous pianoforte sonata accompanies the serene gusts of current of air billowing through a nearby tree. Yet even this oasis isn't entirely unhindered by patriarchal oversight, thanks to Manana's blood brother, who paid a couple of local thugs to guard his sister from afar—not to go on her prophylactic, but to proceed her in line.

Many of the twelvemonth'south all-time films feature female protagonists who are resolved to live on their own terms, and "My Happy Family unit" ranks correct alongside them. Information technology deserves to not get lost in the awards season hysteria, and when viewers stream it on Netflix, I recommend that they couple it with "In Blossom," which is available for rental on DVD. Together, they form one of the finest double bills in recent memory.